Phyllis Randall’s Southwest Vision
April 11th, 2012An East-Coast Girl Finds a Home Away from Home
Sketched in bold relief, Phyllis Randall’s pastels distill the colors, shapes, and shadows of the Southwest, casting them across the canvas with a hint of whimsy.
A self-proclaimed East-Coast girl from Maryland, Phyllis first visited the Southwest in 1993 and promptly fell in love. When she returned to the East Coast after that fateful trip, she began experimenting with the bold colors and shapes she had experienced in New Mexico, working first in oils and then switching to the more vibrant medium of pastels.
“I was smitten on my first visit to Santa Fe,” she says. “The light and shadow captured my heart, and the organic adobe architecture fired my imagination.”
A graphic designer by trade, Phyllis soon found herself devoting more and more time to painting, unable to get the shapes and colors of the Southwest out of her head.
“My years of working in advertising and graphic design shaped my geometric style, and the exploration of this mysterious architectural form illuminated by the sun set my imagination free,” she says.
New Directions
We welcomed Phyllis into the Waxlander family in December of last year. She was a part of our hugely successful online art auction early this year, and she will join artists Marshall Noice and Sangita Phadke in our first ever group pastel show, entitled Not Your Mother’s Pastels, in early June.
While her past pieces have tended toward exploring the lean architectural lines and vibrant colors of the Southwest, her latest body of work, Pastel, Pigment and Passion, is a study of nature.
“From potted plants to wildflowers and overgrown weeds, my work is sprouting a new floral element and texture,” she says. She has also added to the work’s sense of the whimsical with the likeness of her cat, Velcro, who pops up in unexpected places throughout the pieces.
Light Savers
Recent travels to the Mediterranean have inspired a new perspective on the use of light, which will be evident in her pieces in the pastel show.
“I studied how the different angles of the sun and the time of day influence the architecture—the diffused sun in Tuscany as opposed to the severity of the sun in Santorini,” she says. “The similarities and differences have sharpened my eye to the play of sunlight in Santa Fe.”
Randall describes her style as Cubism-inspired art meets architecture and her biggest influence as Georgia O’Keeffe. “It is her use of simple shapes and color that I relate to,” she says. “I’ve always felt that I saw things through similar eyes, that my mind breaks subjects down to their least complex and most basic forms, shapes, planes and colors, as depicted in most of O’Keefe’s works. Even her earliest paintings of New York City through her window have that basic quality of light and shadow, geometry and depth that I so admire.”
More than 20 years after first visiting New Mexico, Phyllis has not lost the sense of wonder that overcame her on that first trip. As the years have passed, her work has evolved and she has grown as an artist, but her love for the Southwest is still evident in every piece.
Best in Show
Not Your Mother’s Pastels will feature new work by Phyllis Randall, Marshall Noice and Sangita Phadke. The show will run from June 5-18, with an Artists’ Reception on Friday, June 8th from 5 to 7 p.m.
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